Our aim is to make clear how George Eliot is trying to hold up a mirror in Daniel
Deronda against later nineteen-century Britain in her social and spiritual context.
Christian tradition, in her view, has long been settled more or less into a dead-letter
conventionalism. She finds in Jewish way of life a comparative viewpoint from which
she can look closely at her own cultural background. In order to restore a living religion
into the whole fabric of society, Hebrew language and its organic vision of history seem
to Eliot to give a valuable hint for British people to learn from. Her awareness of this
finds expression in a thread of the Jewish story woven in parallel with the English one.
We will examine this sense of purpose on the part of the novelist on the evidence of the
text.